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Nimbus
II, 2012
cloud in room
Lambda print, 75x112 cm
Hotel MariaKapel, Hoorn
photo: Cassander Eeeftinck Schattenkerk |
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Conditioner
- Slaughterhouse, 2011
tubes, foil, ventilators, antiseptic air
Former abatoir, Ostragehege, Dresden
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Kammerspiele,
2011
Postcards and miniature tiles
10x15 cm (2 pieces)
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Neuman's
Bruecke, 2011
photo prints, lamp, scent of paradise
250x320x350
cm
Mischpoke e.v., Mönchengladbach, DE
photo: Stefan Sturm
In this former
dentist praxis, a room filling tropical photo print is depicted on locations
where the interior has been removed or damaged, as if this promise has
always been there, underneath the clinical room
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Nimbus,
2010
Cloud in room
Lambda print, 75x112 cm
Probe#6, Suze May Sho, Arnhem
www.projectprobe.net
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Cumulus
- Beeekstraat 98, 2010
Plastic model of the exhibition space, Aerogel
3,5x7x7 cm
Aerogel also known as frozen smoke consists of 99,8% air and is the
lightest solid material on earth.
xxxxx
Cumulus - Adlergasse 1, 2011
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Cumulus- Sandradstrasse 12, 2011 |
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Metropointilis,
2010
Design for two metrocoaches in train 44
GVB - public transport, Amsterdam
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Conditioner
- Royal Hospital, 2010
tubes, plastics, ventilators, photo's, video, antiseptic air
Bunker project by galerie West, The Haque
Photo: Jhoeko
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Conditioner,
2009
tubes, plastics, ventilators, artificial grass scent
0,4x0,4x18 m
Pallas Contemporary Projects, Dublin, IE
As part of
'Automatic' curated by Gavin Murphy and Chris Fite-Wassilak
This Conditioner leads from the main gallery space into every corner
of the office area of Pallas Contemporary Projects. The plump hanging
shaft is sometimes blocking the viewer from passing through the room
of this former dairy farm. The ventilation shaft spreads a synthetic
grass scent, which is converted from the air out of the gallery's main
space.
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Conditioner,
2009
tubes, plastics, ventilators, antiseptic air
0,5x0,5x43 m
Auto Italia South East, London, UK
As part of 'Automatic' curated by Gavin Murphy and Chris Fite-Wassilak
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Carcass
Divided, 2009
foamboard, blue film
Each 157x220 cm (window)
De Kijkkasten, Amsterdam
The specific outward aspect of De Kijkkasten motivated my idea to make
a sculpture fit the 7 (given) spaces. To achieve this goal I cut an
existing sculpture into pieces. I am interested in how the display windows
function and change the way the audience approaches an artwork. Closed
display windows are often associated with, and emphasize scientific
or aesthetic purposes. The original aspect of a pure constructed model
has changed to a perishable one. In this case destruction even accentuates
construction.
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Until
Askeaton has streetview, 2009
Print on wallpaper, wood
290x800 cm
Realized
in Askeaton as part of 'Welcome to the neighbourhood' 2009, curated
by Michele Horrigan
| Askeaton,
Co. Limerick is one of the oldest towns in Ireland. In the 1840s,
lots of Irish people immigrated to the US. A few people from
Askeaton set up a new town in Wisconsin which they also named
Askeaton.
If you look for Askeaton on Google maps you’ll find a
streetview of Askeaton, Wisconsin, US. The first building you
see is a barn. The original town of Askeaton in Ireland has
not yet been photographed by Google and doesn’t have streetview
yet.
I’ve constructed a copy of that specific barn in Askeaton
US, and placed this facade or ‘prop’ on the most
resembling location along the main road in Askeaton Ireland.
The idea is that if the Google Photocar will come by (it was
recently seen in Limerick city), this image will be picked up,
and the building will simultaneously exist in both Askeatons. |
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Google Streetview Askeaton, Wisconsin,
US
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Bored
Art, 2008
Lambda print
160x120 cm
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Construction
I & II, 2008
Giclee print
60x90 cm each |
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Peel
IMMA I & II, 2008
Photocopies, tape
16 m each
Peel IMMA started from the idea of peeling off the façade of
the museum from top to bottom in a continuous 360 degree motion (similar
to peeling an apple). Doing so has resulted in a representation of the
building as a long strip of architectural parts and features; strips
of windows, roof tiles, brick work and a door, here and there. This
piece consists of copies of the original architectural drawings. For
scale purposes in theory this idea would result in a strip of 1.6 kilometres.
I have displayed the work hanging on a hook like a rope or a strip of
film.
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Caravan
compilation, 2008
Plastic, glue
33x27x11 cm |
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Müllhäuserstrasse:
nr.1t/m5, 2007
Paperbags, model accessories
35x15x10 cm each
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no
title , 2007
plaster decoration, model accessories
25x15x12 cm
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See. Stop. Report., 2007
Message board in wall
3,5x4,5 cm
MOOT Gallery, Nottingham, UK
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Conditioner,
2007
tubes, plastics, ventilators, antiseptic air
0,5x0,5x20 m
MOOT Gallery, Nottingham, UK
The work Conditioner consists of a surgical green ventilation shaft,
which leads through the gallery space. The plump hanging shaft is sometimes
blocking the viewer from passing through this empty former industrial
room. The materials chosen and their positioning reveal a temporary
aspect. The ventilation shaft spreads a repulsive antiseptic air throughout
the gallery. This disinfect air we know to be clean but it doesn’t
feel healthy and the first association upon entering the space is with
illness. Conditioner stimulates suspicion. What happened here? Is it
save here? Or, am I truly save here?
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Kazemat,
2007
polystyrene foam, plastic, plaster
280x300x375 cm.
NP3, Groningen
Photo: Ruud Ploeg
Copyright: NP3 |
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Christus
Mentionem Benedicted, 2006
(God save this house)
engraved joist, trolley
35x30x100 cm
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Carcass,
2006
foamboard, carpet
98x130x290 cm.
Carcass is the skeleton of my car build from foamboard.
The fragile white material refers to architectural models and at the
same time represents the metal parts that would remain of the car after
burning. To indicate carcass as a model it is placed on a Persian carpet.
With the car being 83% of its actual size, this is however hardly recognizable
as a model. Its appearance reflects a balance between construction and
deconstruction.
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Medina
Oddity, 2006
photo mural, wood
270x388 cm.
De Fabriek, Eindhoven
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Odysee
918, 2006
polystyrene foam
150x260x420 cm
De Fabriek, Eindhoven
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Sarcophagus
Scandinavius, 2006
poystyrene foam, plaster, roofing material, charcoal
165x136x227 cm
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Sarcophagus
Americanus, 2006
polystyrene foam, plaster, roofing material, flower-boxes
155x150x206 cm.
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Twelve
Entrances to a Mosque, 2005
projected video still on polystyrene foam, plaster
80x106x200 cm.
The balcony is made out of polystyrene foam, making the platform impossible
to ever function in real life. It’s covered with plaster, giving
it a solid appearance. I shaped the balcony in this piece according
to Romeo and Juliet’s balcony in Verona. This is to me the absolute
cliché of a balcony. It is not about Romeo and Juliet, but rather
stands as a symbol of power and wealth. You might even see it as a place
where dictators stand shouting. Onto the balcony I projected a still
image of a (modern) balconied block of apartments, providing the balcony
with a layer of friction: between the old and new (architecture), between
object and representation.
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Balcony,
2005
goldpaint on rotten balcony
140x120x300 cm
Defka, Assen
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Walk
about, 2004
hand rail, paint, fluorescent lights
60 square meter
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Transitionalspace,
2004
Material: wood, suspended ceiling system, rating, tailor's dummy
500x500x500 cm
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Corridor, 2004
Material: wood, grating, mirror and video
240x120x500 cm. |
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Suspended
ceiling system, 2004
ceiling, fluorescent lights
320x240 cm
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back
to top
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